Saturday Evening Post #96: Eavesdropping

I don’t know about anyone else, but seriously, I’m seriously over Zooming, Youtube tutorials on just about every subject there is. Youtube product reviews, that are simply biased every which way, and the “We’re all in this together” mantra.  I just don’t get it. The number of vidiotclips I’ve watched on how to make the most of my post-processing, are hardly entertaining, nor that well filled with actual instruction, and a lot of waffling (well, I shouldn’t complain about that too much should I, dear blog reader), and in the end not all that helpful for the types of problems I’m trying to solve. Not everyone is making (thank goodness) 34 frame HDR landscapes.
Joe McNally said it best, ” Post is not a hospital for poor camera handling technique.”

Must be the weather, or it’s hard to be a non-photographing photographer, or perhaps a non-plumbing plumber, we just can’t get out to our subjects, (well ok, a plumber can do emergency calls)

Eavesdropping is different.  Listening to two totally invovled photographers in discussion about many elements of the craft, and little snippets of value seem to drift out, hoping to be cherished beyond the intimate discussion, and landing every so vapour-like on an eager ear. Something to build on.  Or perhaps, slipping slowly across the void, hitting the wall or ceiling and lost forever.

We, EE, I and David Nice, have spent many hours with the nesting kites and their energetic young. It’s like eavesdropping on their lives. Waiting for an instant that is more than just another kite shot, but a real insight into their lives, a sensitivity for the moment. Learning a little about what it’s like to be a Black-shouldered Kite. I spoke with a long time friend today, about the excitement of being close enough to see the feathers rise and fall as the bird breathes.  You don’t get that on vidiot.:-)

Here is one snippet that I meant to publish when I spoke of Rodney Smith in Saturday Evening Post #93, Speaking Privately.
You can see the full text here. But here is the eavesdropped version.

Rodney was photographing the Chief Executive Officer for a corporation.
He says, “I’d learned over the years that the play for power and control was simply fear… if you could earn their trust, they were willing to be truly vulnerable and powerful subjects.
The CEO walked in and said, “I’m very busy, let’s get this over as soon as possible.”
Everybody, the people who hired the people who hired me are sweating.  Time is motionless.
Smith asks him to stand in one place, look directly at the camera, takes one picture and says, “Ok, that’s it, you can go now.”

Subject says, “Are you serious? That’s it”.

Smith replies, “I believe you have a competent picture equal to the effort you’ve put in to that experience and I’m willing to accommodate your need for speed. If you have some time in the future, and are willing, together we can produce something of far more substance, but now, that one frame will be enough.”

He leaves, everyone else leaves (quietly), Smith packs up and heads down the hallway.
Just about out, and the secretary says “He would love to see you in his office.” Smith is then shown some photos of houses that the CEO owns, and offers that he would love to be photographed in one of those locations where he would have more time.

“If one opens up to me, I’ll give them my heart and soul… the picture is bigger and stronger than me. It is sacred and worth fighting for.   What starts with a handshake in the end is an intimate embrace.”

I was sitting on the grass, at the edge of a foot-bike path.  The young kites were intrigued by the concrete and the grass and whatever might be in the grass.  Every-so often their concentration was broken by a bike-rider hurtling past, but they quickly came back to investigate.
This one was working its way up the footpath towards me. Could it see me? Of course. Did it change its approach because I was there, No not one bit.

Holding my breath, and trying to avoid camera shake, and suddenly it rose up, flew toward me, and landed on the grass. I could see the feathers rise and fall.

 

 

 

Little Visit Off the Couch: Hot off the Press

Now into the third week of a six week isolation lockdown, it’s been very challenging to find suitable images for the day to day lives of the birds we work with.
In spite of the “We’re all in this together”, mantra, the birds don’t seem to have taken it too heart much, and haven’t been lined up in the street outside waiting for me.
We also don’t have any real suitable birding areas to walk by in our 1 hour a day “exercise” allowance.

But there are quite a number of storm water run-off drains and basins, throughout the suburb and several of them are within easy walking, and two are directly on the way to the local supermarket.
Every year Masked Lapwings gather to use the various open paddocks, drains and basins to creche their young. One pair has always chosen the grass verge between a dual carriage way.  And try as the parents might, it always ends in disaster as the little tykes run about on the road.  Not much between a fully laden Mac truck at 80+ kph and a baby lapwing.

One enterprising pair have located into a paddock directly behind said supermarket and as they are well protected by a 3m high chain mesh fence, and sharing the location with two rather large goats, they seem fairly secure, and have two spritely young.

A second pair have taken advantage of an unused house block and the nest is almost dead-centre in the middle of the block. No access for me. 🙂

A third pair, are using a run off basin that is also used as a local scratch-match footy oval, soccer-field, dog walking and mountain bike area. However restrictions have given them pretty much run of the area, and on the couple of times I’ve visited early in the morning, they seem to have four young on the go.  Not easy to find, and I for one am not venturing out into the open field for a closer looksee.

A fourth pair, and subject of the blog. (Didn’t think I was going to get here did you!) have taken up ownership of an open storm water runoff drain.
EE located them the other morning, and I thought a trip by with my biggest shopping bag was in order.  They seem  to only have one that has survived. But it is doing quite well.  On my first visit, it spent most of the time running about on a disused concrete footpath above the drain as the surrounding grass verge was particularly thick and over grown.
But in the meantime, the council, bless their environmental cleanup hearts have moved into the drain with mowers and brush-cutters and turned it into a “V’ shaped version of a bowling green.

Look as we might we were unable to see if the little dude had survived or where the anxious parents might have relocated it.

However, all is well.  This morning on the milk run, I found it back in the same area and sprinting up and down the footpath.

So hot off the press.

Remain.

From the Global Headquarters of The Doona Hermit.

The day before the grass on the verge was over its head.
An adult that is ready to defend its prize.
Ready to run.
Still plenty of hiding spots on the far side of the footpath
Stepping into the sunshine
Get set. Go!

A tiny wing shake.

Little Visits from the Couch: A Morning with the Young Kites

I really feel I’ve been remiss working on the blog of late.  I guess if anything it has pointed out to me the very nature of the “now” of the running a blog.

Birds as Poetry has always been for me about our interactions, or visits with a limited range of birds.
So no visits, well, not postings.

Still, as I wander back through the most recent trips we took in mid June, there are certainly moments that need to be shared.

So expect to see a few Photographic Essay of our days with the young kites.   It either shows how dedicated to a clutch of birds, or how narrow our travel and bird experiences were during that period.  Be kind, we weren’t able to travel very far.

The evil thing is cutting such a swathe of agony for so many people.  I fully expect we will be limited in movement for quite a long time to come.
So enjoy the little interludes as I sweep out the library files, (figuratively of course)

Not often we saw all three on the same branch
After so many weeks with them, they were now very comfortable with our presence, and simply carried on around us
This picket was the only landing spot near me, and the young one came in quite deliberately to land. I’d like to think it wanted a closer look at my camera.
The clever one foot landing
They had spent more of their lives all together in the small nest, and still were happy to share the smallest branch area. One just about losing balance to make room for the interloper
It’s mine, no, mine, no mine.
One mouse, two hungry mouths, and not the ones Dad was interested in feeding. He would let them get close, but then turn away. He delivered it to the third one.
Still getting the hang of taking from Dad’s claw. This one has overshot the mouse and crashed into Dad’s tummy

Saturday Evening Post #95: Future Proofing

Over the years I worked with-or for- two organisations that had among their mission statements a reference to “Future Proofing”.
Every iteration of their product line or new product introduction carried a promise, (spoken or implied) of “Future Proofing”.
Somehow the businesses would be able to have sufficient flexibility that they would be able to handle any changes that come down the pipeline.

However, like wooden wagon wheels, both organisations have long since disappeared from the market place and their products are no longer available on the shelves.  So much for “Future Proofing”.

Actually as I look back over it there have been a long list of products that I’ve used that are no longer extant.
Who remembers WordStar. and using ^control key formatting. (Don’t all  put your  hands up!)
WordPefect anyone?  (I know that Corel still have a version, but do you know anyone using it?)
Ahh, Lotus 123 So long old friend. (I used to train Lotus 123, mind I’m not an accountant) And while we are are on spreading sheets, how about VisiCalc on the Mac?

Two more and we’re done.  Aldus PageMaker (not the Adobe version please). And its PC equivalent Ventura.   Ahh, the agony.
Yet at the time, Pagemaker in particular sold more macs in Universities than any other program.
Something quite interesting in using Aldo Manuzio and his friend Griffo, ( everybody should have a friend named “Griffo”, very, well ‘ Stralian maaate’.
Aldo had his own future proofing logo which meant “Make haste slowly”.

 

What brought all this trip down memory lane on?
Good question.

I’ve spent this week  working through the camera cupboard and looking at hardware I’m never going to use again.
The Nikon 1 system. And don’t think I didn’t put in some effort to make it work for us.  There are several blog pages on this site that tell the history of our association with the small camera and its beautiful lenses. But, it wasn’t Future Proof.

EE has taken delivery of a sparkling new iMac to replace the older Mac Mini that has served her well many years.  The Mini will go the way of wagon wheels as there is only so much bench space.

A bunch of small lenses, including a wide angle we used for car interiors, they are now in the last box before the door in the garage. Along with some flash units, and more coloured filters and paraphernalia of similar used-but no longer used-vintage and we’d all blush if I mentioned how many camera bags are now on the short list too.

Lockdown, has highlighted how “Future Proofing” is as fragile as fine dew on a leaf in the morning.

So no future predictions here. The Doona Hermit is taking just one day at a time.

I’ve also been a bit remiss of the past weeks for not publishing any bird related posts.  Usually have relied on reporting recent trips.  So I’ll take a wander through some of the older files and see if I can patch together some related images this coming week.

In the meantime Stay Safe, Stay Well and Stay Creative.

Besties to all my fellow lockdowns,

From the Global Headquarters of the Doona Hermit.

 

Saturday Evening Post #94: From the Notebook

“How ya Doin!”
Eddie Murphy Beverly Hills Cop

Shout out to all who are in Lockdown at the moment. We are at the end of week one with five to go.
It’s kinda like the job that just has to be done. Like vacuuming under the couch, or taking out the rubbish.

After the past few Posts I thought I’d try a lighter look at what has accumulated in my Notebook.

When I was still an apprentice, an early mentor introduced me to carrying and even better, making notes in a Daybook. I have, I guess been an inveterate note collector ever since. In the early days, notes of film type, lighting, camera settings studio setups filled many a page.
I came across one of those books a long time back (since lost again unfortunately) that had diagrammes of set design or location details for shots that I didn’t even recall making.

I even went through a “Yellow PostIt Note” phase.  Just about everywhere you looked in the workroom were magazines, books, tabletops and equipment with little yellow notes with scribbled details.

Or excepts from some book or movie or activity that I thought I might work on.

These days, I confess, I clip things from the Web and keep in an electronic notebook.

Here is one I came across recently.
Jane Goodall.
Jane is the lady from the 1960s who spent her life working in Africa with Chimpanzees. Amazingly her discoveries changed a lot of scientific thought about these creatures and the whole human race.
She recalls in a BBC interview some of the most important events from her time in the jungle.
Here is the link.

Her technique of getting to know the Chimps as individuals was frowned on by the scientific community. Yet my own experience with birds has followed a similar path. Great to hear her defend her position. Enjoy

I found this one a bit amusing

Would have never thought of using Ibis as a measuring tool.
As some wag said,
“If you are 3 Ibis away, you’ve just lost your lunch”

From the Rodney Smith collection challenge last week.
The image I’m currently living with was the one “Zoe with Ducks” From the Storytelling Series.

However I am also quite taken by “Chicken Haiti”  from the Humour set, is in there with a chance as well. I like it for the moment of timing. Given chickens to the best of my knowledge generally don’t perform to schedules.

I woke this morning with the sound of rain on the roof, and outside it was all grey and gloomy.
“Good day to stay under the Doona I thought”, and for no apparent reason, the song “Rainy Days and Mondays always get me Down”, by Karen Carpenter rang through my head. Funny as I haven’t heard it for years, and could never have cast myself as Carpenters fan.

Talkin’ to myself and feelin’ old
Sometimes I’d like to quit
Nothin’ ever seems to fit
Hangin’ around.

And

Finally,

Robin Whalley, a Landscape photographer from England posted this one. Interesting to me as he has gone back through some of his old work, and found some shots that he’d ignored, but now that he has some time, he’s been able to bring out a feel and mood that he’d missed earlier.

As I’m now working through my own collection of “Might have been good” shots, I found it very encouraging.

Funny old world.

Remain.

The Doona Hermit

 

Saturday Evening Post #93: Speaking Privately

When we talk of photography, it’s not something we think of in a ‘private’ sense all that much.

“Let me Share some Pictures I took”, “Here’s a shot I made at the park”, “This is some pictures I took on my holiday to Tuscany last year.” “My granddaughter’s graduation photos are here.”
“I photographed this Flame Robin at Woodlands Park in June.”
We share, Messenger, Facebook, Instagram, (No, No, not Tic Tok), prints, email and blogs to name a few.
Photographer type conversations sometimes start, “Whatchabeendoinlately?”

Yet one photographer I’ve followed over the years has the concept of “Private” as part of his creative approach.

His work is characterised by enchanted worlds full of subtle contradictions.

His name? Rodney Smith.

Noted for sharing his vision of the world with Humour, Grace, and Optimism.
He has since passed, but on his blog entitled intriguingly enough, “The End‘, Rodney Smith would describe his creative process as being  “intricately connected to how I examine my own life, how I got to know myself, and how I drew clarity of my emotions and translated them into pictures.”

So, if you want, you too can Go To The End

A further quote, “I want people to see the beauty and whimsy in life, not its ugliness. I feel the need to reach out for its soul, its depth, and its underlying beauty. I represent a world that is possible if people act their best. It’s a world that’s slightly beyond reach, beyond everyday experience, but it’s definitely not impossible.”

So here’s your humble scribe’s challenge. If you’ve manage to read this far without your eyes glazing over. (well done of you have!)

Follow this link over to his Gallery – the Humor Section.

While you’re there, have a look at several of the others sections, but do visit the Surrealism one as well.

Hopefully one or two will make you laugh, or smile, or just ponder a bit, or at least cause you to be amazed at Rodney’s sheer visual audacity.

Second part of the Challenge.
Pop a note into the Comments below, let us all know which one ‘privately’ appealed. Don’t have to say Why.   Just enjoy the trip.

Next week I’ll reveal my fav.  Hint, its neither of the ones with Hay Bales. But they did run a close second.

Took me a while to find a “Rodney Smith” Private moment among my own recent shots.

Don’t think its a great example, but at least I remember smiling when I pressed the shutter.

As Rodney is quoted, :”Choose Photography for Love, rather than fame, fortune or glory.”

I look forward to hearing from as many as possible.

Go on, you can do it.

 

Little Visits from the Couch: A Moment of Connection

Greetings from the Couch.  Snuggled under the Doona looking out the window in afternoon.  I don’t look out in the morning, else I’d have nothing to do in the afternoon.

During one of our forays with the young kites a few weeks back, this young bird was getting more and more anxious about Dad returning with a snack.

The area has a mound of earth, left over from an old bridge removal over the nearby freeway to Geelong.  Several gums have grown in and around the mound and it has made a most pleasing studio in which to work.

The tree in this case grows out of a lower part of the mound and I was standing at the top nearby, which gave me an eyeball view of the bird only a few metres away. It was quite relaxed about my presence and had chosen to fly in for a better view over the paddocks, waiting for its share of the morning’s food.

Then, it all  happened, leaving the branch it landed on nearby leaves and after steadying itself took off. Straight toward me!

It sailed by in full cry just past my shoulder, and the poor old camera/lens af combo gave up after about the third frame, and my old body gave up a second or so later as it rocketed by.

Too much fun.

From the Doona Hermit

Remain.

Comfortable with a great view of the paddocks
Here I come
All systems go
I always enjoy that heraldic pose. This was getting a little to close
And a bonus of the three together after a meal.

Saturday Evening Post #92: About 95% Negative Space

“You’ll find,” he said, if I recall correctly, “that Negative Space carries a lot of visual weight. The subject therefore has to be very strong to balance out that 95% Negative Space.” A mentor was extolling the use of the broad, seemingly lacking in detail, surrounds of the main subject.

He went on, again as best I can recall, “Negative space helps the photo stay calm, and isolates the subject, and at the same time removes any interfering elements that distract from the view seeing what you are seeing.”

Great advice to a budding studio product photographer. After all a client doesn’t want a lot of competing visual elements, they want to see the product.  And in particular, the product’s name, brand and model number (if applicable). If Mr Colgate couldn’t see the word “Colgate” in large letters on the subject, he would wonder how anyone would recognise his product, no matter how ‘creatively’ the subject was shown.

The same might be said of a certain cheese brand that is about to change its name. No matter that it was the brain child of a certain William Edward who’s family name now carries unfortunate connotations.
Ford Motor Company want to see their famed logo, and it is said the Coca Cola logo was one of the most recognised logos in the world.  Now it seems the jury is out on the most recognised, but Google might be close to the top. At least when I googled, that is the result I got. 🙂

From a studio product point of view, getting the subject well lit, boldly presented and refreshingly isolated was always the big challenge. A small fill light  here, a white card to be reflected in the strong sidelines of the product, a disappearing shadow to give depth, all against a plain backdrop.

But negative space is more than just a simple way of saying, ‘here is the subject’, it does, as my mentor suggested, carry a visual weight that needs to be carefully balanced by a subject. It reduces visual clutter and the minimalist approach welcomes a view to pause and reflect in a tranquil, welcoming way.

I have been I think, always a minimalist. Well, at least at heart. Preferring the simple to the complex visually.
Whether street, or field, or portrait, or product, I’ve always been happier to work with a subject against an uncluttered backdrop.

Most times, either here on the blog, or on Flickr, or my other web site, I try with the birds to provide as much detail as possible, preferring the closeup frame filling moment, rather than building a mystery or calmness or asking the viewer to pause and ponder, “Why there, why now, what was going on?”

So the past several weeks have been a bit intense, staying at home, (by preference) working through the photo library—it’s called Culling!
Removing those images that I am never going to pay the hostage price.
See Saturday Evening Post #87

And finding of course some photos that I’ve never spent time with, yet, hold a strong sense of graphic because of the smaller subject in its surrounds, or lack of them. Not always suitable as bird descriptive shots, but perhaps with a little work, suitable for Birds as Poetry.

Shots where the bird is almost inconsequential in the frame compared to the negative space.
It is true that I hadn’t been consciously working on that feel when I pressed the shutter, and it did require me to revisit to see the opportunity.
I’ve oft quoted my long-term friend and mentor John Harris. “You’ve got to look within the photo, to find the picture. Always look at the details, look at the obvious as there is always a highlight there somewhere, that others aren’t seeing.  That is the diamond.  Look for it always.”   Thanks John.

The ones that have got the creative juices flowing, are those that lend themselves to making the most of the negative space.  I’ve shared a few on Flickr of late, and thought this very active male Superb Fairywren had made a strong enough compositional statement to balance the dark moody area behind him.

As he moults into his breeding colours he is ready to become the master of his new status, his balance of the negative space gives him a strength and purpose.

The Doona Hermit.

Remain.

 

Little Couch Visits: On the trail of growing Black-shouldered Kites

Added the “Couch” heading to my normal visits and journeys.  We are as it happens, at home on the couch, iPad in hand.

So come with me on a journey back in time. Shades of “Back to the Future —another couch-time activity.

We had been, in early Feb and March, working with a pair of Black-shouldered Kites at nest. The day the first lockdown took effect, the young had only just flown. And then we didn’t see them for over three weeks. By then they were well advanced.
It was a bit of a missed photographic opportunity as the nesting site lended itself both from great light and open areas, for some really clear shots of the birds as they began their life on the wing.

Time passed, and restrictions lifted and we went back to the usual haunt to see if they were still around.
No. Well gone.

A couple of weeks later we returned with Flame Robin arrivals in mind.
EE spotted way, way, way down the paddock—even for her— a flash of white in the sky and declared that the young kites were probably way down the fence-line in the distance.

Robins, or Kites?
We set out along the fence-line.
The mice population among the bracken must have been very good as all three quickly scored a meal while we were approaching.
They settled down in among some of the small trees to enjoy a feast.

Out of nowhere, Dad arrived on the scene and took station on one of the higher branches.  But rather than welcoming him, they harassed him for food.

However he wasn’t taking any orders. His Uberfood days were over.

The interesting thing that we noted was the colour change, each one was well into moulting the subtle grey and white and the ginger colours were being replaced.

I guess having some more time at home, I can work through the files and find some images, or sets that normally I’d just leave to mellow on the disk.  A  tweak here, a slider or two there, a brush on a mask there, and ‘hey presto’.

Enjoy

Remain.

The Doona Hermit.

They were down in a tree-line, and it took EE awhile to locate them
Perhaps pretending not to be there. It is starting to replace the juvenile feathers with the adult grey.
Easy to see how the grey adult feathers are moulting in
Dad dropped in to see how they were doing and immediately they all thought he should be hunting for them.
Fully able to look after themselves
Not a good idea to knock Dad off his perch
Feed me, feed me. That look on his face says that he is not hunting any more for them.
A Hunting We will Go
Hunting like the professional it has become

Saturday Evening Post #91: It’s About Time

One of my fellow blogosphere inhabitants, the Chronicles of  A Blogaholic, posted just recently a quote from Martin Luther King Jr.

“We may have all come on different ships,
but we’re in the same boat now.”
Martin Luther King, Jr

Now to be honest, I am not that familiar with the writings of MLK, but this one struck a chord with me, as we settle into a six week enforced stay at home.
I am, truth be told, not that enthusiastic to the “We’re all in this Together” media blitz that keeps coming over the gunwales, I think that most of us more identify with “I am in this Alone”. However to a much broader term, the MLK quote I think carries its own special message for the here and now.

Time it seems, doesn’t stand still, we have been working with a growing trio of young Black-shouldered Kites, they are not going to sit around, frozen in time, if you will, waiting for me and my lens to get back out and pickup where I left off.
They will be gone. Following the ways of a Black-shouldered Kite. I’ll have some photos and some memories.
They will have their lives, a day full of moments, each filled with intent.

Time it seems, is Now!
When it comes to the images I make, to the people whose lives I’m gifted to share, to opportunities to learn about myself and others, there is only now.
Inspiration is not just two more pages over in the book I’m reading, I may never turn the page and miss it. It’s not another 1:34 along in some dotube that I’m watching. I might click ‘stop’ before I get there.

Robert Capa, had an amazing life, made some awesome photographs and experienced more than most.  Many will know of his Falling Soldier killed in action.  The irony I think of that photo is it was made on the last day of the conflict.
Time or chance or…

He once said, “If you photographs aren’t good enough, it’s because you are not close enough”
I think he means, not so much a physical proximity—today, of course, abiding by the 1.5m rule—but rather an experience with the subject. As nature photographers, we buy the longest lens available, or at least that we can justifiable afford.  Although I suppose some lenses I’ve owned over the year stretch your definition of ‘justifiable’ to a new horizon. 🙂

The question was once asked of a nature photographer, ‘Do you think it’s possible, to some degree, to translate the experience of a close encounter with a wild animal—in this instance it was the Kyutzeymeteen Ghost Bears—into a photograph?”
And a second part of the question, “If it is, how come so few people achieve it?”

With our long lenses, it becomes I believe a lot harder to provide a close, almost intimate invitation into the world of our subject, the narrow lens might fill the frame, but it doesn’t necessarily bring the right feeling. They compress lines, shapes and distances. Rather then drawing the viewer in, the long lenses exclaim, “This was a long way away, don’t you feel safe.”

Establishing that closeness, is first and foremost I also believ, is about respect for the subject, taking time to build the relationship, building on a fascination for the subject, a thread that is extended to the viewer.

Recently, as we approached the roosting area of the three local kites, I spotted one on the ground behind some bushes.

I stopped and sat on the ground, maybe I’d make a great takeoff shot against the sky. To my surprise the young bird stepped around the bushes and moved closer to me. The light changed, a soft and mellow melding light that draped like a poem over the form of the bird.
It was time.

 

Saturday Evening Post #90: What’s Fun to Shoot!

Once upon a time, in a galaxy far far away from Corona, I had the good fortune to be able to attend a day workshop with a visiting US based photographer, Pete Turner.

It is said, of Pete, that he was one of the founding fathers of colour photography, and more particularly graphic, dynamic and alive motifs.

His use of colour in a world of monochrome was striking to say the least.

He is known to have said, “Color is in my DNA, I think in color”.

He also talked on the day about being able to follow your instincts and not formulas. And as he would say, “And ultimately, that is the key—shoot what’s fun.”

You’ve probably seen his “Rolling Ball” image.  If not here is a link.

For many years, I thought that the image somehow was made using one of the ‘Great Pyramids of Egypt’.  Never was able to figure out the funny little hut shape on top.

Surprise!

It wasn’t taken in Egypt. It’s not a pyramid. It’s a roof top on a building somewhere in the Nubian Desert.  Ahh.  That makes sense.

But the Graphic is still so compelling.

If you like detective stories, I found this by fellow photographer, Eric Meola (another whose work in colour is simply gripping). Finding the Location for Rolling Ball

I learned a lot that day at the workshop. How to manipulate colour, how to make amazing duplicate montages (remember this was way way before Photoshop), how shape and form may bring a bold graphic to an otherwise ordinary overlooked subject. And so much more.

But the big takeaway was:
A good photograph has to be something that pleases you, that you like. That is the important thing. Does it pass your litmus test? Start on a project and stick to your guns. A project you want to work on that inspires you, and keeps the creative juices flowing.

And here is a link for the cataloge of Pete’s 2006-07 exhibition at George Eastman House.

After many twists and turns in my own path with a camera, and I can say, that just about everyone of those, (with the exception of making photos of powder-coated white laundry stands with highly polished stainless steel insert bowls, — think keeping white, white, while making the stainless steel look like bright clean metal. ((and for bonus points try to work out how to keep the studio internal reflections in the bowl from picking up all extraneous shapes, lights and colours)) that just about everything I’ve photographed has included an element of enjoyment for the subject.
I used to have the following as a sort of studio motto, “It’s hard to explain, but I try to photograph a moment or a feeling…”

The young kites were having their “hunting on the ground” lessons when we arrived the other day. Totally absorbed by their activity they seem to ignore my presence. So much so that this one was happy to make a close approach and perch on the thistle not too far from me, and like a well prepared model, turn this way, that way, lean back, and engage great eye contact.

Shoot what’s fun.

Off Topic: It Isn’t Even Playing the Game

One of my early mentors for colour printing, mostly dye-sublimation and ink-jet (giclee for the arty folk) is a great craftsmen and writer, Ctein.

Today he wrote a newsletter that struck a real chord.

Unfortunately I can’t add a link for you to see, as it’s a by subscription only, but here is a couple of quotes and a comment. Drop me an email and I’ll send it on to you.  He is much more vocal and lucid than I.  birdsaspoetry  at icloud dot com.

He likens the current Covid-19 pandemic to a circling raptor and the birds that try to get rid of it from their area to the frenetic attempts to contain the virus.

“For birds, it is not good fences but great distances that make good neighbors. This distance is not great enough…

Sometimes the ravens whirl and loop. There is considerable vocalization. In action and words they say to the hawk, “Look, we are superior in every respect, physically and mentally. You are overshadowed. Take a hike.”

DJ: Locally the Ravens and Magpies go to no end of effort to move on a passing Kite, Eagle or Harrier. I’ve seen ravens fly for 20 minutes or more after a Wedge-tailed Eagle, until it reaches a point high up in the sky, where the raven must flap harder to keep up, and the eagle can just drip its huge sails into the breeze and slips away. Exhausted the raven plummets back to earth.

Ctein, “Finally, the ravens give up — they get frustrated and, worse, bored. They go off to find some more entertaining mischief, and the hawk continues doing what it’s been doing all along.”

The hawk wins every time because it isn’t even playing the game!

Ctein, “I feel like the ravens do. I am tired and I’m bored and I’m frustrated and depressed and, most of all, exhausted by four months of navigating through this Brave New World, of living in Plague Times. God knows I’ve done my part, more than my part. I need a break.”

DJ: Unfortunately, the virus is like a hawk. It doesn’t care what we individually or collectively think or our frustration and our need of a break.

Ctein, “We don’t have the luxury of letting down our guards and relaxing our extraordinarily inconvenient and uncomfortable protections because we are exhausted (and, make no mistake, we ARE exhausted). The hawk just hovers in the updraft, thinking its minimal, hawkish thoughts and waiting for hawkish opportunity.

Stay Safe. Never Underestimate the Power of Stupid People in Large Groups. Stay Aware.
The Hawk is circling.

The Doona Hermit

Remain

For those interested Ctein is here

http://ctein.com

Cteinnewsletter mailing list
Cteinnewsletter@lists.sonic.net
https://lists.sonic.net/mailman/listinfo/cteinnewsletter

All in-quotes italics material is copyright and expressly owned by Ctein.
Used as quote only. See Website for further details. 

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Little Journeys: The X-Rated Story

We had as the story is told, been shopping early in the morning to beat the rush before Metro Melbourne is forced into lockdown because of the stupidity and thoughtlessness of people.
As a friend of mine has put a sign in his window, “Welcome to Melbourne. The home of the stupidous people in Australia”.
Dictionary definition of stupidous: One who knows how stupid they are and still continues to act stupid; hence the ous at the end.

On a whim, as we had indeed packed the cameras, you know, on the off chance, wink wink, if the light was good, we might make a last journey to the beach area at Point Cook.

So, as The Banjo did write,  we went.

As soon as we arrived, EE called, “See, Black-shouldered Kite on the highest branch”, and of course she was right. Not that anyone would doubt.

Within a few moments of getting out of IamGrey, it was obvious that this was the female of the species, as very quickly the male swept in first with a mouse, then with a stick for the nest and then for pro-creation purposes.

Unlike the pair we’ve been working with locally, these two are pretty much about the same size, she being a bit better weighted.  They have a much more robust relationship too, as he is quite capable of giving as much as he gets. She might rule the roost, but he is definitely not subordinate.

Time passed, and as we hadn’t thought about lunch or any snacks, we were just as refreshed watching the birds going about their important business, and sitting in the sunshine enjoying the serenity around us.
We did make it to the beach, but not before an interlude with Cassia of Cinnamon, the Brown Falcon that featured here with her two young last year.  No doubt she is back and establishing a nesting territory.  Time will indeed tell.

By late mid-afternoon, with a full memory, and a full memory card or two, it was time to head for home.

The lockdown this time seems to have enough flexibility for a return visit or two so we might be able to follow the new Kite family in a bit of detail.  Just going to have to buy a set of golfclubs or a fishing rod or surfboard, to carry around, as such activities are gazetted.

Here is a few from the day, and a link here to the X-Rated Material on the webpage.

Looking remarkably refreshed after two successive nestings, the female is preparing for another round.
Meanwhile down in the forest the male is collecting the necessary building materials.
Personally beak picked and ready for installation. It took me a few minutes to locate where he’d settled.
Heavy lifting done, time for the next step in baby-making
His next mission it to provide some top-up snacks
She has the casual one legged approach to landing
This was an interesting transfer, as he bought in the mouse, and then set for quite a few minutes before she flew in to wrestle it from him.
The handy dandy workman at work.
Each twig or branch has to come from just the right spot, and he often has a hard time getting the branch to break off.
In bound with just the right piece.

 

Saturday Evening Post #89 : Sharing Space

For once the weather tv talking heads had managed to get it right.

Rain.

EE and I had an appointment at the medical precinct very close to the nesting site of the Black-shouldered Kites. How close? Well, we could see the trees just down the road as we parked at the clinic.

“You know,” she had said, “we’ll be in the area, why not just take a few minutes after we’re through with the doctor, and go on for a look to see what the young kites might be up to?”

Good thought.

But, as they say, by the time we’d finished with the medicos and were back in iAmGrey, the weather had closed. In!

Still a quick look wouldn’t hurt would it.

The showers had turned to a light drizzle, and we rugged up, grabbed the cameras and walked down to the nesting area.  The young kites were up and about on some trees nearby.

A glance across the paddock behind them revealed a slow moving grey mass, that was more than ‘just a passing shower’.

In the open paddock it was intriguing to see the grey mass, slowly, and, inexorably heading toward us.
The drizzle turned to a half decent shower, and then to incessant and increasing as the grey mass loomed even closer.

Dad, was out hunting, and it was thought prudent to stand under a tree and try to keep the cameras dry, and hope that he could bring in a mouse for a bit of aerial action.
One of the young kites sat, ready to make its presence felt should a food offering be made.
But

The rain was now intensifying, and after a few shakes of the feathers, it must have concluded that it would be drier under the trees. It took off.

Headed in my direction, and landed on a branch about 5-6 metres from where I stood.  We both looked at each other.
I offered it a, “It is getting wetter isn’t it” But the young one just shook its feathers and tried to hunch down a bit to avoid the rain that was now coming through the tree canopy.

“Time to head for the shelter of the car….”, I heard in the distance, as a bedraggled EE set off toward the vehicle.
I stepped back just enough to fit all the of the young bird in the frame, messed with the exposure, and made the shot.

The young kite had second thoughts about this being a dry spot, shook its feathers again, and flew across the stand of trees to what must have been a much drier area. Perhaps it thought if I wasn’t going to share the space with it, it would go elsewhere.

Smiling, I slogged back to the car.