Saturday Evening Post #100: Settling

Gotta admit when I started Saturday Night Posts, I didn’t know that I’d have made it to 100 posts. 🙂

Do you have the patience
to wait till your mud settles
and the water is clear?
Can you remain unmoving
till the right action arises by itself?
Lao Tzu.


Part of a much longer description of “The Masters”, from Chapter 15 of Lao Tzu’s Tao Te Ching.

The main point being Patience. I’ve totted it up, it seems that by the time we are able regain some real freedom from the lockdown, I will have spent more days at home this year, than days being free to move about.  Not much of a record really.

So I am indeed waiting for the right action to arise by itself.

Tai Chi Pigeon, (a Spotted Dove) has been giving her own version of all this the past few weeks.

After much courting and mateship displays I thought that she would have been setting up a house for her precious young and already been sitting on eggs.
But, No.

She’s been sitting on the fence, literally, for the past few weeks.

Then yesterday morning the mud must have settled.
I want it to settle quickly, I want to be out and about in relative freedom.

Tai Chi pigeon on the other hand  has simply has been waiting. Having the patience of her species to wait for the way to clear. She remained unmoving until the right action arose.  Then, she began.

It is not a wonder to me that the ancient documents, like Lao Tzu’s, the parables of the Carpenter from Nazareth, Egyptian stories, the Original People’s of Australia and the Americas, the list is quite long, all make use of observations from their around.
The return of a bird, the blossoming of a tree, the melting of ice, or the flooding of a river, each in its own way are exemplars of waiting for the way to become clear.

Tai Chi pigeon had found her ideal nesting spot, under the eave of the next-door neighbour’s pergola. The rest  of the morning was a frantic backwards and forwards with increasingly large sticks to complete her little home.
Not that they are noted for their nest building creativity. A few sticks, bundled up, and everybody sits and hangs on. 🙂
Last year it was the standard rose in the house across the road, then two failed attempts in a small ornamental tree, the branches of which were hardly strong enough to support the dove’s weight, let along withstand the rigours of use and weather.

So while I wait feverishly the end of our lockdown, Tai Chi pigeon, has offered me another little lesson in waiting.
Because she is ready for whatever happens. Things don’t have to be just so… Things just have to be the way they are.

 

Photographic Essay: Dad’s Rules, or Dad Rules

The poor old male Black-shouldered Kite, in the this case, Bronson, has to put up with a lot as his young aeronauts learn the ways of Black-shouldered Kite.

He gets yelled at for more food, buffeted and bounced about the sky by his inept, but over-enthusiastic young and pushed from his perch if they decide to land near him, and do it rather inelegantly.

Yet, for the most part he seems to take it all with good grace, and just gets on with the job. Perhaps he sees it as part of the drama of doing business with the young birds.

However, there are several rules that he seems to have, and enforces.

One of the rules is that there should be no in-fighting among the young ones. Each will get a turn at food, or his attention.
Another relates to landing rights, and if one of the young should knock its sibling from the perch while landing then consequences are inevitable and he’ll step in.
Another rule seems to be if he is busy preparing for a hunt, then he will not be interrupted by one of the young landing nearby and calling at him.

His major, and most enforceable rule seems to be if the young ones in their enthusiasm and lack of skill decide to take to the air to defend against passing Kestrels, Falcons and Black Kites.
He will then herd the young one back out of the way, giving it a bit of  a clip for its troubles.
Then of course he has to go and defend against the now aggrieved foe.

His major method appears to be a clip on the back with his claws.  Because he can still outfly them, well at least at the beginning, it seems to be quite a successful method.

Here are a few instances

Never knock Dad off his perch. In this case the young one had managed to get a grip of one of his legs instead of the branch, and couldn’t let go.
As the young one tried to find a new perch, Bronson came it an gave it a clip on the back
Bronson pursuing the young one back to the nesting area.
Suitably chastised the young one headed for a rest at the nesting site

Bronson had landed hoping to have a top-up meal. In a sneak attack the young one managed to get a grip of the mouse and pulled him from the tower.
C’mon Dad, time for a feed. This is the eldest of the two females, and she obviously inherited her mother’s bossy gene.
She had given him either a peck or a push to move him on.

This young one had decided to land on the same top branch as its sibling. Not enough room for two, and the first one had to yield.
Within a few seconds Bronson had arrived and a quick clip on the back, you can see a feather flying, and the young one was forced off the branch
An angry Dad with the wings down.

Foolishly this young one decided to defend against a grown Nankeen Kestrel. The much more agile Kestrel was prepared to take the attack to the young one. Dad would have to set in.
Dad’s Rules
Now he has to hunt the young one away from the Kestrel.
And a good clip on the back will be its punishment. He then had see off the angry Kestrel.

Saturday Evening Post #99 : Back to the 80s

My Ballarat connection daughter, Face-timed the other night. She is a girl of the 80s and we started to talk about the songs of that era, and the parody they are now to the current Lockdown restrictions.

It kind of ended up with us rolling on the floor laughing as we tried to recall as many as we could that had something to say about our current situation. Our politicians haven’t helped by adding such euphemisms as “Getting on the Bus” and “Roadmap Forward”, which no doubt could in themselves make great song titles.
I, of course was at a disadvantage as most of my recollection of the times was telling her to “turn that music down”

Here is a hit parade we came up with. Not in any real order, but it made us smile.

  1.  ACCA DACCA:  “Highway to Hell
  2. The Police: “Don’t stand so close to me”
  3. U2 “With or without you”
  4. Talking Heads: “Road to Nowhere.”
  5. Whitney Houston: “I wanna dance with somebody”
  6. INXS: “Never Tear Us Apart”
  7. Bowie and Queen: “Under Pressure”
  8. Queen: “I want to break free” or “Another one bites the dust” (we were getting silly then)
  9. Fleetwood Mac: “Everywhere”
  10. edited UPDATE Dire Straits: “So Far Away”… from me.
  11. Cyndi Lauper: “Girls just want to have fun”,
    I let that in as I thought of two more, although not really 80s
  12. Elvis: “In the Ghetto” and SkyHooks, “Horror Movies, the Six Thirty News”In the end we had a giggle and it gave me some food for thought

My Saturday morning read these days includes a topical piece by Virginia Trioli, on how the lockdown has left many feeling broken, and how most of our communication is via screen, through glass or from behind a mask.

But, one of the things she shared is a link to a new Bruce Springsteen release, “Letter to You”.  You can find the vid at the bottom of her piece.

Now I have to say its pretty much typical Bruce, he is a great entertainer, but to me, after awhile they do begin to sound the same, I once used his, “My hometown”, for an event, so I’m not unsympathetic.
His “Streets of Philadelphia” for the Tom Hanks movie is really quite a sensitive statement.
So back to “Letter to You”
It’s worth a  look at the vid, as it’s all been shot in black and white, most of it in stills, and most in the studio where I presume the song was put down.
Turn the music down, and watch the clarity and expressions that the mono vision brings out.   Says a lot about the power of photojournalism to reach into the soul of the moment.
Enjoy

Photographic Essay: Ground Work

Once they have mastered the art of flying, the young Black-shouldered Kites were introduced to working on the ground.
After all mice don’t fly, so they would have to spend part of their hunt on the ground.

In first few attempts that I witnessed they showed more of a fascination of what was on the ground, rather than any attempt to ‘look’ for food.

They seemed to enjoy laying down on the ground and rubbing their tummies along the gravel or grass.
Chewing the grass was another peculiar activity.

Slowly but surely they gained enough experience to hunt through the grass and while never successful at least they were on the way to developing the necessary skills.

Looking through the damp grass

They are not designed to walk around on the grass and tend to ‘roll’ along like sailors on a deck
Time for a portrait
A little tummy rub on the gravel
This one was sitting behind a clump of grasses and came out to see me when I showed up.

Fascinated by the taste of grass.
Another tummy rub on the wet grass.
I know you’re down there.
Now able to drop into the grass silently.

Saturday Evening Post #98: Back to the Future

“The sanest man Sets up no deed, Lays down no law, 
Takes everything that happens as it comes, 
As something to animate, not to appropriate, 
To earn, not to own, 
To accept naturally without self-importance:
If you never assume importance You never lose it..”
Lao Tzu

One of the blog posts I regularly follow has been that of Ming Thein (MT)
Over the years his insight into the creative photo process and his attention to detail in technique has always offered new ideas and directions. His clear and reasoned explanations of the elements of a photograph, form, shape, tone, texture, point of view and the like, has always been interesting, and I have to say that not always did I agree, but that is part of the fun of looking at someone’s work.
But MT has called his blog time over.

In the same week, Kirk Tuck over at Visual Science Lab is also calling an end to his current blog as he is off to pursue some video options.

“I see myself writing less and less about new photography gear and new picture making practices. ..  I’m not anxious to watch my writing devolve into some personal pathos about lost life opportunities, bad decision making, therapy or diets. Or “how we did things in the golden age of photography.”
I have recently (finally) come to grips with the whole concept that, in what’s left of the commercial imaging world, you can do quite well with a smart phone and a suite of programs to enhance your smartphone photos, with less hassle and less time spent than “doing them the right way.”

Sad to see them both go, but fully understand their individual reasons.

Truth be told, as the weeks of lockdown have deteriorated into months, that I find it much  more difficult to warp out words that are relevant and encouraging. There are only so many stories from my own ‘golden age of photography’, only so much pathos that I’d be inclined to share online.

Saw an ad on the tv the other night (Yes, you read that right. Me, watching tv), from Apple. The tag line was, Taken[and Edited] on an iPhone, lots of flashy coloured splashes, and some clever image size, and perspective things to ponder over, and it just confirmed to me that the future of photography is going to do what it has always done.  Change, evolve and find new markets, new vision and new visual experiences.

In another life I once made a presentation at a major photographic convention, just at the turn of digital, and indicated as photographers we have always been “on the cutting edge” of technology.
In the beginning we used to shoot only glass plates, then flexible film.
We began with Monochrome Images, who would have thought of colour.
Rangefinder cameras gave way to Single Lens Reflex.
Bulky studio lights gave way to sparkling electronic flash
Formal indoor portraits became rich environmental, tomorrow pictures (as Don Nibbelink coined).
Digital began for us as scanning from negatives and transparencies. Now we think in terms of 61Megapixel sensors and look beyond that.
Not unsurprisingly at the time, a lot of what I said was dismissed as ‘activist nonsense’ by the organisers.
Well.

And as my Tai Chi Master would say,  “If an art is simply a repetition, then it will fade and die.  For the Art  to live on and grow it must find opportunity to express the old in new ways”.

Me, I’m looking forward to our times in the field. To look for and work with the birds again.  To hopefully bring back some new fresh stories of our amazing natural world.

Been delving through the archives of late.  Not much else to do really, amazing to find moments or opportunities with birds that I had overlooked.

White-winged Choughs are a favourite bird. I am happy to spend hours in their company. Many will tell they  find them difficult to photograph. To the contrary, I’ve sat on logs in the forest and have them hunt over the log, around my feet and sit on the log and preen.  Talking all the time.
Choughness is a compelling life.

This one was only a few seconds before the ‘guard’ in the tree. The communal life means they share various activities among the flock. It had been relieved of its sentry duty and wafted down to enjoy a rummage among the leaf-litter.

Looking forward to the ‘Roadmap Ahead’ tomorrow, or as Sean McCaullif said, “With all this social-distancing, what is the point of being a Hermit!”

Remain

Photographic Essay: Feeding your Black-shouldered Kite

Firstly I was sent this link by a friend, and I thought it struck a similar chord to some of my recent meanderings on visualisation.  It also has some useful in-the-field bird photography advice.  Funny how it’s taken a lockdown for people to realise that ‘awareness’ is not some app on a phone.
Tiny Wonders by Jessica Martin ABC News

She talks about developing a “Sense of Awe”

Quick quote,
“In many ways, then, these tiny, simple things we’ve been savouring lately — a flower, a bird’s pitch-perfect trill, how the sun hits the wet grass after a night of heavy rain — are the big things.

There are silver linings in all this.”

Hope you find it encouraging.


Back to the Kites.
I’m just now getting to working through the images of a couple of months back to consolidate them into working groups of similar actions or events.

The young had been on the wing for a couple of weeks and had developed their in-flight feeding skills.  Poor old Bronson, had more work than a one-armed paperhanger keeping up with their voracious hunger.  The female, Belle, seems to play no part in their early training or feeding once they are on the wing.

From The Global Headquarters of the Doona Hermit

Remain

Look out Dad, here I come
Timing is right, speed is right, direction is right, eyes on the target.
Release the Claws!
Nailed it
Dad won’t let go until he’s certain the young one has a proper grip.
This one missed the speed, angle and accuracy tests. Need to go around again.
To help, Dad readjusted his grip.
More speed, but this time an overshoot.
Take Three, timing looks better here
Whoa! where did the mouse go.
Where’s my mouse!!
Hard to keep them filled up and quiet.

Saturday Evening Post #97: Learning to Isolate

Ha!
Gottacha!
Bettcha thought this was going to be about staying at home and virus stuff.

Noooo.

Someone once said, “Photography is the art of exclusion.”
Sometimes I’ve thought the viewfinder in the camera should have a little gilt-edged gold frame inside. So we can see what our masterpiece is going to look like enshrined forever on the wall
Because if nothing else, using a camera forces us to put our subject in the frame and exclude all else around, no matter how interesting it it might be.

And so I say to the viewer, “Look at this”, and they don’t get the option to see all the things I’ve left out. Unless of course it’s an handphone shot, with those atrocious wide-angle views. Then I get my feet in every shot. 🙂

I’ve quoted my great mentor, John Harris, a few times, when he’d look at a print or slide, and say, “You’ve got to look within the frame to see the picture that it contains. That is where the gold is.”

It’s a magic of pointing out the line, the light, or perhaps the movement that would otherwise have passed by and not be noticed, let alone photographed.

When it come to ‘seeing’, we are able to show not only what we see, but how we see it.  There is also another form of seeing.  I may close my eyes and say, “Oh, now I see.”

One thing I’ve noted from the lockdown is how much we are ‘story-telling’ people. I don’t mean making up some novella, but just day to day conversation.  Zoe, at my local coffee shop is Greek, her hubby is Irish. She was telling the other day of the ‘fun’ of organising that wedding to keep both sides placated. I had a friend who married an Indian lass, he, was Greek. Another amazing intertwining of cultures for the wedding organiser.  But we chatted back and forth (through our well adjusted surgical masks, -well hers was a handmade one) about the various aspects of the events. Building word pictures and picking up on each others view of the events.  We are story-telling people.

If nothing else for me, the camera has always been a tool of story telling. A tool, that opens, my eyes and the eyes of anyone who views my photos, of the wonders of this amazing planet. The astonishing creatures that we share it with.
The breathtaking sunsets, the wide open vistas, the ranges of mountains that roll on in increasingly rich blues into the distance.

As Bruce Cockburn, a Canadian song writer says,

I stand here dazzled with my heart in flames
at this world of wonders…
Red-gold ripple of the sun going down…
in this world of wonders.

I’ve noted, I fear, I’ve taken to becoming fascinated more by the gruelling events that we are living through. Shock it seems keeps me glued to the tv and the news blogs and podcasts.  The hard stories need to be told, some in the most graphic detail.  But, I’m not the one to tell them right now. I can close my eyes and say, “I see”.
To quote David Duchemin, “I know there is great beauty and wonder out there, all around us, and I’d rather live my life looking towards the light, then fearing the darkness.”

So I take my clumsy tools of light and time and try to bring my vision of the around and help others to share and experience new wonder.

To open our collective heart to the world.

Photographic Essay: New Life Abounds

Here is a quick update of several of the clutches of Masked Lapwings in our area.

The single one, seems to be the most accessible, so guess you’ll see a few more pictures of it as it matures. I’ve named it Opal, from opalescence, a visual quality of milk.  Why milk?  Ah, you’ll have to read the back story. 🙂

Also included is a shot of three others in a large water-collection pan, that doubles as a community park.
And a couple from the supermarket pair, but they tend to stay just too far away for short lenses, and there is no-way I’m pondering wandering along with the long tele-hardware anytime soon.

A bright blush of colour, that has opened up all along the streets after the cold wet past few days. Isn’t nature amazing.

From The Global Headquarters of The Doona Hermit

Three of four that are in a large water overflow area. It is also used for a number of community activities including bike riding and football and off-leash doggies in an on-leash area.
(Sorry Magda no Nettie).
Parent of the group of four. I thought it was going to have a go at me, but it was getting ready for a run at a dog that was off-leash in an on-leash area.,
One of the two young next to the supermarket. They are pretty advanced and seem to be putting on weight.
One of the supermarket young.
Opal with a typical lapwing pose with one leg lifted and paused.
Opal on a wing stretch.
Still practicing for the sprints
Head shake
Fine hope of spring.

Saturday Evening Post #96: Eavesdropping

I don’t know about anyone else, but seriously, I’m seriously over Zooming, Youtube tutorials on just about every subject there is. Youtube product reviews, that are simply biased every which way, and the “We’re all in this together” mantra.  I just don’t get it. The number of vidiotclips I’ve watched on how to make the most of my post-processing, are hardly entertaining, nor that well filled with actual instruction, and a lot of waffling (well, I shouldn’t complain about that too much should I, dear blog reader), and in the end not all that helpful for the types of problems I’m trying to solve. Not everyone is making (thank goodness) 34 frame HDR landscapes.
Joe McNally said it best, ” Post is not a hospital for poor camera handling technique.”

Must be the weather, or it’s hard to be a non-photographing photographer, or perhaps a non-plumbing plumber, we just can’t get out to our subjects, (well ok, a plumber can do emergency calls)

Eavesdropping is different.  Listening to two totally invovled photographers in discussion about many elements of the craft, and little snippets of value seem to drift out, hoping to be cherished beyond the intimate discussion, and landing every so vapour-like on an eager ear. Something to build on.  Or perhaps, slipping slowly across the void, hitting the wall or ceiling and lost forever.

We, EE, I and David Nice, have spent many hours with the nesting kites and their energetic young. It’s like eavesdropping on their lives. Waiting for an instant that is more than just another kite shot, but a real insight into their lives, a sensitivity for the moment. Learning a little about what it’s like to be a Black-shouldered Kite. I spoke with a long time friend today, about the excitement of being close enough to see the feathers rise and fall as the bird breathes.  You don’t get that on vidiot.:-)

Here is one snippet that I meant to publish when I spoke of Rodney Smith in Saturday Evening Post #93, Speaking Privately.
You can see the full text here. But here is the eavesdropped version.

Rodney was photographing the Chief Executive Officer for a corporation.
He says, “I’d learned over the years that the play for power and control was simply fear… if you could earn their trust, they were willing to be truly vulnerable and powerful subjects.
The CEO walked in and said, “I’m very busy, let’s get this over as soon as possible.”
Everybody, the people who hired the people who hired me are sweating.  Time is motionless.
Smith asks him to stand in one place, look directly at the camera, takes one picture and says, “Ok, that’s it, you can go now.”

Subject says, “Are you serious? That’s it”.

Smith replies, “I believe you have a competent picture equal to the effort you’ve put in to that experience and I’m willing to accommodate your need for speed. If you have some time in the future, and are willing, together we can produce something of far more substance, but now, that one frame will be enough.”

He leaves, everyone else leaves (quietly), Smith packs up and heads down the hallway.
Just about out, and the secretary says “He would love to see you in his office.” Smith is then shown some photos of houses that the CEO owns, and offers that he would love to be photographed in one of those locations where he would have more time.

“If one opens up to me, I’ll give them my heart and soul… the picture is bigger and stronger than me. It is sacred and worth fighting for.   What starts with a handshake in the end is an intimate embrace.”

I was sitting on the grass, at the edge of a foot-bike path.  The young kites were intrigued by the concrete and the grass and whatever might be in the grass.  Every-so often their concentration was broken by a bike-rider hurtling past, but they quickly came back to investigate.
This one was working its way up the footpath towards me. Could it see me? Of course. Did it change its approach because I was there, No not one bit.

Holding my breath, and trying to avoid camera shake, and suddenly it rose up, flew toward me, and landed on the grass. I could see the feathers rise and fall.

 

 

 

Little Visit Off the Couch: Hot off the Press

Now into the third week of a six week isolation lockdown, it’s been very challenging to find suitable images for the day to day lives of the birds we work with.
In spite of the “We’re all in this together”, mantra, the birds don’t seem to have taken it too heart much, and haven’t been lined up in the street outside waiting for me.
We also don’t have any real suitable birding areas to walk by in our 1 hour a day “exercise” allowance.

But there are quite a number of storm water run-off drains and basins, throughout the suburb and several of them are within easy walking, and two are directly on the way to the local supermarket.
Every year Masked Lapwings gather to use the various open paddocks, drains and basins to creche their young. One pair has always chosen the grass verge between a dual carriage way.  And try as the parents might, it always ends in disaster as the little tykes run about on the road.  Not much between a fully laden Mac truck at 80+ kph and a baby lapwing.

One enterprising pair have located into a paddock directly behind said supermarket and as they are well protected by a 3m high chain mesh fence, and sharing the location with two rather large goats, they seem fairly secure, and have two spritely young.

A second pair have taken advantage of an unused house block and the nest is almost dead-centre in the middle of the block. No access for me. 🙂

A third pair, are using a run off basin that is also used as a local scratch-match footy oval, soccer-field, dog walking and mountain bike area. However restrictions have given them pretty much run of the area, and on the couple of times I’ve visited early in the morning, they seem to have four young on the go.  Not easy to find, and I for one am not venturing out into the open field for a closer looksee.

A fourth pair, and subject of the blog. (Didn’t think I was going to get here did you!) have taken up ownership of an open storm water runoff drain.
EE located them the other morning, and I thought a trip by with my biggest shopping bag was in order.  They seem  to only have one that has survived. But it is doing quite well.  On my first visit, it spent most of the time running about on a disused concrete footpath above the drain as the surrounding grass verge was particularly thick and over grown.
But in the meantime, the council, bless their environmental cleanup hearts have moved into the drain with mowers and brush-cutters and turned it into a “V’ shaped version of a bowling green.

Look as we might we were unable to see if the little dude had survived or where the anxious parents might have relocated it.

However, all is well.  This morning on the milk run, I found it back in the same area and sprinting up and down the footpath.

So hot off the press.

Remain.

From the Global Headquarters of The Doona Hermit.

The day before the grass on the verge was over its head.
An adult that is ready to defend its prize.
Ready to run.
Still plenty of hiding spots on the far side of the footpath
Stepping into the sunshine
Get set. Go!

A tiny wing shake.

Little Visits from the Couch: A Morning with the Young Kites

I really feel I’ve been remiss working on the blog of late.  I guess if anything it has pointed out to me the very nature of the “now” of the running a blog.

Birds as Poetry has always been for me about our interactions, or visits with a limited range of birds.
So no visits, well, not postings.

Still, as I wander back through the most recent trips we took in mid June, there are certainly moments that need to be shared.

So expect to see a few Photographic Essay of our days with the young kites.   It either shows how dedicated to a clutch of birds, or how narrow our travel and bird experiences were during that period.  Be kind, we weren’t able to travel very far.

The evil thing is cutting such a swathe of agony for so many people.  I fully expect we will be limited in movement for quite a long time to come.
So enjoy the little interludes as I sweep out the library files, (figuratively of course)

Not often we saw all three on the same branch
After so many weeks with them, they were now very comfortable with our presence, and simply carried on around us
This picket was the only landing spot near me, and the young one came in quite deliberately to land. I’d like to think it wanted a closer look at my camera.
The clever one foot landing
They had spent more of their lives all together in the small nest, and still were happy to share the smallest branch area. One just about losing balance to make room for the interloper
It’s mine, no, mine, no mine.
One mouse, two hungry mouths, and not the ones Dad was interested in feeding. He would let them get close, but then turn away. He delivered it to the third one.
Still getting the hang of taking from Dad’s claw. This one has overshot the mouse and crashed into Dad’s tummy

Saturday Evening Post #95: Future Proofing

Over the years I worked with-or for- two organisations that had among their mission statements a reference to “Future Proofing”.
Every iteration of their product line or new product introduction carried a promise, (spoken or implied) of “Future Proofing”.
Somehow the businesses would be able to have sufficient flexibility that they would be able to handle any changes that come down the pipeline.

However, like wooden wagon wheels, both organisations have long since disappeared from the market place and their products are no longer available on the shelves.  So much for “Future Proofing”.

Actually as I look back over it there have been a long list of products that I’ve used that are no longer extant.
Who remembers WordStar. and using ^control key formatting. (Don’t all  put your  hands up!)
WordPefect anyone?  (I know that Corel still have a version, but do you know anyone using it?)
Ahh, Lotus 123 So long old friend. (I used to train Lotus 123, mind I’m not an accountant) And while we are are on spreading sheets, how about VisiCalc on the Mac?

Two more and we’re done.  Aldus PageMaker (not the Adobe version please). And its PC equivalent Ventura.   Ahh, the agony.
Yet at the time, Pagemaker in particular sold more macs in Universities than any other program.
Something quite interesting in using Aldo Manuzio and his friend Griffo, ( everybody should have a friend named “Griffo”, very, well ‘ Stralian maaate’.
Aldo had his own future proofing logo which meant “Make haste slowly”.

 

What brought all this trip down memory lane on?
Good question.

I’ve spent this week  working through the camera cupboard and looking at hardware I’m never going to use again.
The Nikon 1 system. And don’t think I didn’t put in some effort to make it work for us.  There are several blog pages on this site that tell the history of our association with the small camera and its beautiful lenses. But, it wasn’t Future Proof.

EE has taken delivery of a sparkling new iMac to replace the older Mac Mini that has served her well many years.  The Mini will go the way of wagon wheels as there is only so much bench space.

A bunch of small lenses, including a wide angle we used for car interiors, they are now in the last box before the door in the garage. Along with some flash units, and more coloured filters and paraphernalia of similar used-but no longer used-vintage and we’d all blush if I mentioned how many camera bags are now on the short list too.

Lockdown, has highlighted how “Future Proofing” is as fragile as fine dew on a leaf in the morning.

So no future predictions here. The Doona Hermit is taking just one day at a time.

I’ve also been a bit remiss of the past weeks for not publishing any bird related posts.  Usually have relied on reporting recent trips.  So I’ll take a wander through some of the older files and see if I can patch together some related images this coming week.

In the meantime Stay Safe, Stay Well and Stay Creative.

Besties to all my fellow lockdowns,

From the Global Headquarters of the Doona Hermit.

 

Saturday Evening Post #94: From the Notebook

“How ya Doin!”
Eddie Murphy Beverly Hills Cop

Shout out to all who are in Lockdown at the moment. We are at the end of week one with five to go.
It’s kinda like the job that just has to be done. Like vacuuming under the couch, or taking out the rubbish.

After the past few Posts I thought I’d try a lighter look at what has accumulated in my Notebook.

When I was still an apprentice, an early mentor introduced me to carrying and even better, making notes in a Daybook. I have, I guess been an inveterate note collector ever since. In the early days, notes of film type, lighting, camera settings studio setups filled many a page.
I came across one of those books a long time back (since lost again unfortunately) that had diagrammes of set design or location details for shots that I didn’t even recall making.

I even went through a “Yellow PostIt Note” phase.  Just about everywhere you looked in the workroom were magazines, books, tabletops and equipment with little yellow notes with scribbled details.

Or excepts from some book or movie or activity that I thought I might work on.

These days, I confess, I clip things from the Web and keep in an electronic notebook.

Here is one I came across recently.
Jane Goodall.
Jane is the lady from the 1960s who spent her life working in Africa with Chimpanzees. Amazingly her discoveries changed a lot of scientific thought about these creatures and the whole human race.
She recalls in a BBC interview some of the most important events from her time in the jungle.
Here is the link.

Her technique of getting to know the Chimps as individuals was frowned on by the scientific community. Yet my own experience with birds has followed a similar path. Great to hear her defend her position. Enjoy

I found this one a bit amusing

Would have never thought of using Ibis as a measuring tool.
As some wag said,
“If you are 3 Ibis away, you’ve just lost your lunch”

From the Rodney Smith collection challenge last week.
The image I’m currently living with was the one “Zoe with Ducks” From the Storytelling Series.

However I am also quite taken by “Chicken Haiti”  from the Humour set, is in there with a chance as well. I like it for the moment of timing. Given chickens to the best of my knowledge generally don’t perform to schedules.

I woke this morning with the sound of rain on the roof, and outside it was all grey and gloomy.
“Good day to stay under the Doona I thought”, and for no apparent reason, the song “Rainy Days and Mondays always get me Down”, by Karen Carpenter rang through my head. Funny as I haven’t heard it for years, and could never have cast myself as Carpenters fan.

Talkin’ to myself and feelin’ old
Sometimes I’d like to quit
Nothin’ ever seems to fit
Hangin’ around.

And

Finally,

Robin Whalley, a Landscape photographer from England posted this one. Interesting to me as he has gone back through some of his old work, and found some shots that he’d ignored, but now that he has some time, he’s been able to bring out a feel and mood that he’d missed earlier.

As I’m now working through my own collection of “Might have been good” shots, I found it very encouraging.

Funny old world.

Remain.

The Doona Hermit

 

Saturday Evening Post #93: Speaking Privately

When we talk of photography, it’s not something we think of in a ‘private’ sense all that much.

“Let me Share some Pictures I took”, “Here’s a shot I made at the park”, “This is some pictures I took on my holiday to Tuscany last year.” “My granddaughter’s graduation photos are here.”
“I photographed this Flame Robin at Woodlands Park in June.”
We share, Messenger, Facebook, Instagram, (No, No, not Tic Tok), prints, email and blogs to name a few.
Photographer type conversations sometimes start, “Whatchabeendoinlately?”

Yet one photographer I’ve followed over the years has the concept of “Private” as part of his creative approach.

His work is characterised by enchanted worlds full of subtle contradictions.

His name? Rodney Smith.

Noted for sharing his vision of the world with Humour, Grace, and Optimism.
He has since passed, but on his blog entitled intriguingly enough, “The End‘, Rodney Smith would describe his creative process as being  “intricately connected to how I examine my own life, how I got to know myself, and how I drew clarity of my emotions and translated them into pictures.”

So, if you want, you too can Go To The End

A further quote, “I want people to see the beauty and whimsy in life, not its ugliness. I feel the need to reach out for its soul, its depth, and its underlying beauty. I represent a world that is possible if people act their best. It’s a world that’s slightly beyond reach, beyond everyday experience, but it’s definitely not impossible.”

So here’s your humble scribe’s challenge. If you’ve manage to read this far without your eyes glazing over. (well done of you have!)

Follow this link over to his Gallery – the Humor Section.

While you’re there, have a look at several of the others sections, but do visit the Surrealism one as well.

Hopefully one or two will make you laugh, or smile, or just ponder a bit, or at least cause you to be amazed at Rodney’s sheer visual audacity.

Second part of the Challenge.
Pop a note into the Comments below, let us all know which one ‘privately’ appealed. Don’t have to say Why.   Just enjoy the trip.

Next week I’ll reveal my fav.  Hint, its neither of the ones with Hay Bales. But they did run a close second.

Took me a while to find a “Rodney Smith” Private moment among my own recent shots.

Don’t think its a great example, but at least I remember smiling when I pressed the shutter.

As Rodney is quoted, :”Choose Photography for Love, rather than fame, fortune or glory.”

I look forward to hearing from as many as possible.

Go on, you can do it.