Tag: Brown Falcon

Spent an afternoon in a Grey Box forest recently.  Not often we get to spend time in a forest.  Yet, once upon a time, in a universe somewhere around the corner, this blog started keeping track of my visits to Woodlands Grey Box forest.
And most of the subjects of the time were bush birds.

However just on 8 years, (my, doesn’t time fly), we moved home to an area that is pretty much bereft of any sort of forest stand and is primarily open Basalt Plains Grasslands.

Gone are the small forest birds like Robins and in their place are numbers of small, but difficult to locate grass dwellers.
At the top of the food chain are the raptors—Kites and Falcons.

Most are nomadic at best, but usually Brown Falcon is local. Working a territory and not travelling too far to follow the food.  Being pretty catholic in diet, they have plenty to choose from in the grasslands.

That’s the thing about Browns.  Hot or Cold.  They are there.
The scorching 40 degree days of summer.  The high windy gale-force days.  The days of incessant, if not persistent rain. No matter what.
Brown sits and waits. It is their nature.

In some respects if we were to anthropomorphise, I’d be inclined to call them Stoic.
But as we don’t anthropomorphise, I won’t. 🙂

One of the tenets of Stoicism was (is?)”in accordance with nature.” Because of this:
the Stoics thought the best indication of an individual’s philosophy was not what a person said but how a person behaved. To live a good life, one had to understand the rules of the natural order since they thought everything was rooted in nature.
https://en.wikipedia.org/wiki/Stoicism

I am convinced that Browns really do understand the nature order around them.  To watch one slip off a branch, and head along the paddock as just a few cms over the ground, dodging branches, bushes and the like is to watch a bird that has ‘plotted’ the area.
The other day, as we were watching with Cassia, of Cinnamon, she suddenly picked up her skirts and moved to a tree about 50m away, but more out in the open. I said to Mr An and EE, but more likely I just said it out loud as commentary, “Brown Falcons, don’t just move from one tree to another for no purpose.  She has moved for her reason and no doubt it we wait a little bit it will become apparent.”  Don’t want to sound like a Falcon prophet or some-such,  but we waited.  Within 5 minutes the Male turned up with lunch.  The more open tree was the perfect place for a quick food exchange.
No doubt she had seen or heard him when he was a long way out and prepared herself to receive the delivery.

During nesting season, it is a little hard not to have sympathy with their main food source of the young.  Cassia, of Cinnamon and her mate, have a likeness for Pipits and Skylarks.  Both of which nest in the grasses on the ground, and must be, for a hovering Falcon, an easy mark. Or for a Falcon with an intimate knowledge fo the area as it scans from a post, or tree—although there are not too many trees on your average grasslands.

Brown’s are not noted for their amazing hovering ability, but given a good breeze, they can make a pretty fair fist of it. And so at present, he is bringing in for the three young fledglings, a pipit or skylark most deliveries.

For their part the hapless grass birds have two advantages.  One they outnumber the falcons.  And they are capable of several nestings a season, so once the urgency of the falcons passes the little birds should be fairly successful.

The falcons presumably will go back to hunting grasshoppers, crickets and the occasional snake.
The young will move off to find their own territories and the exhausted local pair will go back to sitting quietly, watching for the next convenient meal.

And the Pipits can resume sitting on the fence posts without fear.

=

I’ve spent the past couple of days mentoring a young, beginner bird photographer.

It’s funny, I think, if you ask someone what they do, you might get I am (was) a Chemist, or perhaps and Accountant, or Motor Mechanic, Banker, or School Teacher.
But
Say “I’m a Photographer’, and its well, kind of ho-hum, yeah, but what do (did) you do for a living.
Anyone  with a mobile fone can be ‘a photographer’.

I usually answer these days, “By (pause), Training and Background, (pause), I’m a Photographer.
Not Iphoneography in there to confuse.
Still, it does lead to some interesting side discussions.

Bruce Barnbaum in his book The Essence of Photography, tells the story of two art teachers.
The first looks at the stick figure drawings of a child and asks, “Oh is that your Mum, or Sister or is it You?”  A question bound to enhance the creative expression of the budding artist.
The other will ask, much more bluntly, “Is your family really green?” And there goes creativity.

I personally can speak loudly to that, as an art teacher, in my year 8, dismissed my attempt, at a subject, as it did not fit the template or paradigm she had set.  But, I still think it was creative.  However that was, as they say, the end of my budding art career. 🙂

One of my Tai Chi masters says of learning the various forms, “Art is always changing and growing. If not, its dead”  He is quite ‘hot’ on not just completing the form the same way, each time, but allowing room for personal expression.

I’ve said here before, get a bunch of photographers together and very soon the discussion will turn to “Whatchabeendoinlately?”

And it’s not just about what work/client or style.
It usually enters into the area of what new ideas have you been exploring.

In his book, The Art Spirit Robert Heri says, A tree growing out of the ground is as wonderful today as it ever was. It does not need to adopt new and startling methods”

Flowers it has been said, don’t get all bent out of shape, and go off to seek their personal freedom.  They don’t plan to move to another location for better opportunities or bewail the climate where they are growing. They simply get on with the task.

Which leads, me hopefully to the point of the moment with Cassia, of Cinnamon.
One of the challenges I often face is getting correct exposure for a light bird on a dark backdrop or a dark bird on a light background.   Or an inflight, where the bird moves from light to shadow and the poor old camera meter just can’t keep up.
One of the reasons I shoot such work with the camera in “M”anual. There are of course a number of ways to hold that exposure, but I’ve adopted the “M” method.

Yet working with my young friend, and not wishing to ask are his birds really green (or over or under exposed), we have been discussing and practicing ways to keep exposures under control.  You may laugh, but I’ve had him shooting Aperture priority, JPEG for the past few days. It offers less room for error, keeps him behind the camera and doesn’t wander into the fantasy of the ‘digital darkroom’.

Too much light. Make corrections.
Too little light.  Make corrections.

The next few weeks will find him reaching further into the crayon box and finding he can select a colour other than green. !

Cassia was waiting for the next food delivery.  Impatiently, if Falcons do such an emotion.  She flew from one perch in the open, to another in the shade. From front lighting to backlighting and all the way through.

As Bruce  says, “Its not about technical ideas and methods… nor about making images simply because you can with the tools and apps at your disposal… It’s about, because you love photography,  putting in the time and effort necessary. ”
(In Tai Chi we call that Kung-it refers to any study, learning, or practice that requires patience, energy, and time to complete)

Hello all my felllow-lockdownees, and others.
The Doona Hermit has crawled out from under the covers here at the Global Headquarters of the Doona Hermit.

Not much to see in our street, so I’ll move on to other things.

Best wishes to all the Sydney-siders.  So many of them stood with us in solidarity last year as our lockdowns dragged on and on. We know your pain, we know how hard it is with just about everybody doing the right thing and then… what are those people doin!!!
Concentrate on the good ones.  Those who are working on the front-line, in the backrooms, calling, delivering, offering comfort, and all the other other genuine human things we are so capable of in crisis.
Goodonya

Meanwhile Victoria is again in the firing line with a nominal, “Five Day Circuit Breaker”, but I doubt if there is a single Victorian who even dares to image that come next Tuesday evening we’ll be relieved.  The smart money seems to be on an extension of some duration.

The ‘We allwannagotothefooty” mantra has meant that those few selfish (and this blog doesn’t usually call it a it is!) had their couple of hours of ‘pleasure’ and now we all suffer.
Years ago in the Sun New Pictorial newspaper, columnist  Keith Dunstan (OAM) established the Anti-Football League (AFL)
I’d be happy to be a subscribing member at the moment 🙂

Draw a line

I watched part of the David Attenborough series “LIFE IN COLOR“, can’t find much of a link anywhere, but will keep trying.  The part that is of interest here to your scribe was the segment on the Fiddler crab and its ability to use polarised light to find a mate, and to avoid predators.

As a photographer I’ve been interested in the use of polarised light and its characteristics for a long time.  Numerous polarising filters, filter sheet, and polarising materials laying around the work area will attest to the ongoing investigations.
Even helped me on several jobs, particularly when we were working for car mags, and also the excursion into interiors for home-improvement clients.

I wish I could find some details of how the production team worked with all this, how they determined it worked and how they then built the special gear to bring it to screen.  A few voice-over sentences hardly does it justice.

The interesting one for me was that if said crab turned its attentions and its special skills to the skies, what it would ‘see’ was a blank, white canvas. Any movement, say a predator gull, or large hungry seabird, would be picked up as a black shape against the white, no distractions, and as quick as you can say, disappear, it was down in its hole, safe and secure.

No doubt, and I hypothesize, (you get to do that a lot hidden under the doona), that the creature also had some shape recognition, much like the plane and boat recognition shapes that were used by spotters during WWII.
Which of course led to the next hypothesis.

If it works for your clever and well equipped Fiddler crab, might it not have some similar application in other creatures.

Long-term readers will know I have a theory. No, I didn’t borrow this one from Mr An Onymous, this is pure Doona Hermit land.

I’ve sat and watch Brown Falcon’s for many an hour.  Not your ‘Oh, there’s a Brown Falcon on the fence’ move on” sort of stuff, but sitting a respectful distance from Brown and watching it watch.

I’m convinced they have the area ‘mapped’. Somehow. Each scan of the scene reinforces the last scan, or reveals something new to be added to the ‘map’.  Such as.
That skink just came out from under the leaves.  There is a snake working through the bracken.  The crickets are gathering near the little water soak. Each can then be evaluated as to the risk-management of pursing the prey.  Once they know where the opportunities exist, they don’t have to immediately take off and chase, they can plan and take action at a time that suits them.

Flying there is usually, low and fast through the grasses and bushes not even being able to see where the quarry is, but knowing if they stick to the map, weave here, turn there, zig left, they will arrive, like a shopper in a supermarket, at the right aisle, for the prize.

Now if I combine that with the polarised light Attenborough segment, I am wondering if Brown’s have some similar ability.  Looking out they see a blank canvas, and anything that moves across that landscape is ‘red-hot’ in contrast, and easily mapped and evaluated.
Such is the theory.

In the meantime this Brown was sitting high on his territory.  It is a fav perch, right alongside a major, busy road, with wide open paddocks all around.
On this particular frosty morning, he’d taken the opportunity to warm up in the struggling sunlight and was in no hurry to move on.
The scanning process was obvious.

Still working my way though Deng Ming-Doa’s 365 Meditations

“All things in this life depend on direction. In our world all is oriented toward the sun. The planets revolve around it, the seasons depend on it, and our very concept of day and night is tied to the the sun’s rising and setting. The sun is the dominant element in our lives.”

And on the evening before the Summer Solstice (in Southern Hemisphere), I thought, the sun is also the dominant element in my photography.

I talked recently about the “Sun over your left shoulder, Dear”.

Front light: Pure, direct, making our subjects brim with colour. Little shadow depth, a strong, harsh, rich light.
Side Light:  The angular light the gives us rich detail, with texture and form. The light of inspection, depth and tone. Running from brilliant highlights, to melding soothing form and tone, through to rich deep shadows.
Back Light: The light of Drama.  Subjects in rim light, highlights displaying the complexity of the shape. Long running shadows that have a mood and rich mystery. Lacking in colour, detail and texture, but making up for it in deep mystery and mysticism.

Light is the center of our camera settings.  I choose a fast or slow shutter speed depending on the light, and the intent of time perception. Light, I choose a large aperture for subject isolation with narrow depth of field, or a smaller aperture for greater depth of field and sharp detail across the frame depending on the light. Too much light and I drop the ISO, or I raise it for low light subjects.  I shoot with Neutral density or polarising filters to control my vision of the moment.  I add flash for fill-in or main light effects. Reflectors and gobos in the studio. And I try to find such effects when I’m in the field.

Light: The dominant element in my photo graphos, life. (photos-Light, graphos,-of writing) Who’d have thought.

I was waiting next to a melaleuca bush. In front of me was the large pine that Cassia’s nest is situated.  I can just see the two young bobbing back and forth occasionally.
To my immediate left, (and why I’m standing where I am) is a tallish young pine that the pair have been using for food exchange.  30m further away a larger tree with a huge pinecone cluster on top. Ideal for preparing food. And 50m further on, and opposite the nest, one of her fav perches, and a launching spot toward the nest.
In the distance in the paddock 2 isolated pines, both with excellent views over the paddocks and again favoured for inspections of the territory.

But. No Cassia.

Behind me and the bush, about 100m away is a line of very old pines, probably date to the 1870s when the homestead in the area was established.  About a week before she had been sitting among the pines and had made a direct run across the paddock, over the melaleuca bush and past my head at a couple of metres.  Not a defensive move. I reckon, she did it to keep me awake.  EE is still laughing.

The distinctive magpie call. “Falcon in flight. Let’s go”, alerted me this time.  I peeked around the bush, and like a wraith out of the darkness of the trees, sweeping over at fern top height I saw her running directly toward my position.
Light, just right. Soft, overcast, kept the backdrop moody, yet enough to separate her shape and form, and show her intention.
I think I spoiled her game this time:-)

As in the last few yards, she slewed to the left, and went by without looking.  You can’t hide from a Brown Falcon.