Saturday Evening Post: #24 Ephemerality

Still on my Freeman Patterson  binge.

As I wandered about the various shops and buildings in Queenscliff, I came across the photographer’s shop. At first I thought I’d just grab it for a record.  But when I looked harder I noted the ‘double glaze’ reflection. One of those AH! moments.

I walked across the road, and began to swing the little zoom in to action, the first two or three frames were ok, and the idea was good, but… I had a dark jacket on at the time, and a lighter coloured shirt, (Well it was actually grey), so I took off the jacket and got a much crisper looking evanesence in the window.  And this is where the zoom started to earn its keep.

I needed to move forward enough to give me just the right size reflection, and at the same time keep the frame of the window and the building.  Which inevitably ended up being about the middle of the road. Thankfully it wasn’t peak hour traffic on the main Queenscliff highway, so I had a minute or two to work it out.

As Patterson says,

“Nothing is more valuable to you in meeting the challenge of subject and yourself than an awareness of the symbolic content of your subject matter.
What does it suggest to you?
What does it evoke?
What is it likely to suggest to others?”

On that I leave you to ponder.

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Snapshots: Crested Tern Feeding Young

Over the past few weeks I’ve been working on a new “Sit” spot at “The Office”.
At one point the Werribee River as it cuts through the old sandhills that once were part of the lake that became Port Philip Bay, runs over a stony bottom and has not been able to cut deeply, but rather has formed an area of shallow water at low tide.

To compensate, the river water spreads out into a number of small backwater lagoons or billabongs, so there is quite a range of areas for the birds to congregate and feed.

The Werribee Golf Club skirts the river at this point, so access to the area is relatively easy from the K Road carpark. A great feature is that the afternoon light is coming from behind the photographer, and as my Mum used to say when we used the Box Camera, “Keep the Sun over your left shoulder dear”, so she’d love the lighting happening here.

It’s only a couple of kilometres to the River Mouth at South Werribee, and the fish regularly come and go with the tides.

No doubt I’ll feature more of this area as I settle into working from the river bank. A couple of hours with a ‘cuppa’, and a bit of patience brings all sorts of activity along the river.

One of the birds in the area are Great Crested Terns, and at the moment they are feeding their juveniles.  I just can’t get close enough to the far bank, but sometimes the Tern will sweep by with its payload.

Enjoy

There that should keep you quiet
I know when food is on the way as the young one puts up quite a racket
The parent just doesn’t miss the mark
Sweeping in with a fresh fish
Two at a time is good fishing

 

While I was waiting a flock of Fairy Martins began to hunt insects among the reeds.

Saturday Evening Post #23: For the Joy of It


Vale Innocence—Christchurch 15th March 2019

I had written this blog earlier in the week, but felt I needed to add my heartfelt support and condolences to all those affected by the unspeakable tragedy in the quiet, wonderful, heartwarming township of Christchurch in New Zealand. For all those affected directly by the atrocities, for their families and friends and colleagues, for the amazing first responders and the superb work of all the authority services involved and all New Zealanders.

May Peace come on Healing Wings.


EE and I have been away on a break the past week.  Took a get-away with some of the people in our village to the quiet township of Portalington for some shopping, eating, entertaining and general good-natured company.  No cameras, birding, bird photography, early morning get-aways or late evening stay outs. Company!

Still as I was doing the last of the packing the weather forecast looked like some of the outdoor activities would likely be a washout or freeze out, so I pondered a day or two indoors and grabbed a book. (and a camera and lens—more to follow).

The book I chose was “Photography for the Joy of It“, by Freeman Patterson.  A great Canadian photographer and teacher.
He is one of those whose style was introduced to me when I was making a career change, and his work gave me a new direction for my own picture making at the time.  My copy of Photography for the Joy of It, is, to say the least, well-worn, and dog-eared.  Here tis.

It has been through a few updates since my copy was first published, but the simplicity of Freeman’s images and his honesty with the text is still a delight to read and view and to ponder.  So much so that by the end of the first day inside because of the weather, and bad tv programmes, :-), I was reaching for the D7100 with my rapidly becoming favourite walkabout lens the f/4 70-200. I was even seeing possibilities through the window of the unit.

Patterson is now in his 80s and still going strong. freemanpatterson.com  will find him if you are interested.  His “Images, Ideas, and Reflections” letter is a beaut source of creative inspiration, and some good quotes too.

A lot of his work that excited me at the time had to do with the application of Gestalt psychology, “an organized whole that is perceived as more than the sum of its parts”

Alignments, shapes and patterns being a big part of it.  Let’s not get technical.

So with a day to fill-in on a shopping field trip to the local Queenscliff area, and my head ringing with—Proximity, Similarity, Continuity, Closure, and Connectedness, (you’ve got to look that up), I entrusted EE to the group, and began to stroll the main street in the sunshine, armed with said lens and a polarising filter attached. Gotta make the most of colour.

One thing that comes out of looking through the book is the way he has assembled so many photos that seem at first to be too simple.  The thought runs continually, “Oh, I could have made that”, which is precisely his teaching style.
Here is an image of his that I have always been enjoyed.  I don’t have permission to reproduce it here, but this is a shot from a page in the book.  I acknowledge All rights, use and intellectual properties are the ownership of Freeman Patterson.

The title he chose for this fascinating view is “Maybe Maggie Left it Here!”

Now chooks might not fascinate you, but his patience in getting the elements to work in just the rich way says much to the Proximity motif.

I didn’t find any chooks, but had a fascinating day exploring the buildings and shapes and tones, colour and textures and incongruities of the way as humans we assemble the things in our lives.

In case you don’t ever read the book, here is the last line in the last chapter.

“Photography is a good way to explore yourself and your place in the scheme of things.
Try to understand your personal responses to different subjects—those you photograph and those you avoid
Then the techniques you use will make sense.

The Joy of Photography is the Joy of Self-discovery.”

Window detail Queenscliff March 2019

Saturday Evening Post #22 DJ’s “Cazenaux Tree”

-During the early 1900s photographers were beginning to really push out the boundaries of the technologies and they sought to work to a “Pictorial Style”, soft out-of-focus areas, misty muted tones, concentration on the ‘feel’ of the moment rather than the subject. All sorts of add-on techniques were used to get just the right ‘experience’. —Sound familiar? anyone who has downloaded Presets for Lightroom, Photoshop or added a Topaz or Nik filter will recognise the style.  Nothing new under the sun.

At the other extreme of creative work were clubs of photographers seeking a more realistic style. One such group was an American Group of 7 photographers, including Ansel Adams, Imogen Cunningham, and Edward Weston. They formed a group called “f/64″, named of course for the greater depth of field and enhanced sharpness. Now there is more to this than just a few lines here will bring, because at the back of it all was a political movement or action for change, going on. Part of their manifesto included: ” … the battle against the tide of oppressive pictorialism” (What@!!)

f/64 and other similar US based groups had a marketing strength and became quite well known.  Not so well known were similar groups in Australia. One was the Sydney Camera Circle, establishing the “Sunshine Circle”. One of its members was  Harold Cazenaux, and part if its manifesto included, “…to work and to advance pictorial photography and to show our own Australia in terms of sunlight rather than those of greyness and dismal shadows…”  The rest of the story is for you to consult the Google University.

Here are a couple of links

http://www.photo-web.com.au/AustPictorial/default.htm
https://www.weekendnotes.com/cazneauxs-tree-flinders-ranges/

And no doubt there are more.

One of his most enduring or endearing or defining photographs was made in the Flinders Ranges, near Wilpena Pound.
It was titled, “Spirit of Endurance” and features an old large River Red Gum on the edge of a dry creek bed, with the Pound in the background.

BirdLife Werribee, formerly Werribee Wagtails, conduct a number of quarterly bird counts in several area, on one of the properties stands a large Red Gum, and when I first spied it, I immediately thought of Harold Cazenaux’s photograph. Here is a link to an online copy of his image. https://www.artgallery.nsw.gov.au/collection/works/134.1975/
And note that all the shots usually shown these days on the web do not seem to have the same perspective as Harold’s original.  The Answer:  He flipped the negative during printing.

I’ve walked past my stately gum a few times over the years, and each time, promising to bring out the right lens and be there on the right light to give the tree the majesty and presence it needs, to depict its stand against the forces of nature.

Now, I do not in anyway expect my poor humble image of a tree to even cause a dent in the majesty of Harold’s grand moment. However it is true that we stand on the shoulders of Giants.

We had a morning out on the farm, Mr An Onymous, The award winning Chris, he of Eyenesbury fame and a BirdLife representative, and while the others strolled around and discussed bird counting details, I went down to my “Cazenaux Tree’ armed with the 70-200 Zoom, and managed a fair to happy composition.  I had tried wideangle, but it doesn’t give the power of the tree in balanced perspective.

Had I made this on the reliable old Linhoff Super Tecnika, 5×4 inch,  I’d have used an Ilford FP3 emulsion, deep yellow filter, slow development in diluted D.23 developer and would have printed the resulting soft negative on a wonderful Kodak paper called “Royal Bromesko”. But.

I shot it on the D7100 and ran it through Nik Silver Efex Pro, and added a slight yellow/brown for the same effect.

Capturing the tree, in terms of our own Australian Sunlight.

Enjoy

When it comes to Landscape, I must admit to being very old school. The awesomeness of the bulk of the tree and its survival with its wound had to be the hero of the moment.

 

 

Snapshots: The Eloise Collection

Been amassing quite a collection of shots of the Eastern Osprey as she has been working in the Werribee River area. Rather than break it up into various days or activities, I’ve become a bit self-indulgent and also saving myself some time by making a collection.

Enjoy.

Is that a fish down there?
I should investigate
Looks like a good meal.
On second thoughts I’ll wait for a bigger one.
Keyed on
Reading to pounce
All systems locked on and ready for impact
One bream coming up
Taking a bit of effort to get free from the water
All good to go.
Hey, Look, fresh fish.

Saturday Evening Post: #21 A Piece of Paper, part two

*Don’t adjust your calendar, late night Saturday Evening, early Start Sunday, missed my deadline 🙂 *

I finished last weekend’s post needing to know.

The following day after school, I headed for the local library. Small country town, it wasn’t going to have a lot of books devoted to photography, the practice and theory.

Still, to my surprise now to recall, they did have several books in the children’s section.  In those far off days, my library card was marked “Children” and I couldn’t imagine going into the ‘Adult’ section.

I went straight to the card catalogue and looked through the cards to find “Photography”, and there it was 4 cards if I remember. Reciting the magic number in my head, I made a beeline to the shelves.
One of the books, the name I shamefully have forgotten was something like, “The Young Photographer“, and it was superbly written. It had answers to all the questions I had and lots of things to practice and in the end, I probably borrowed it dozens of times.
A second book was “All in One Camera Book” by E D Emmanuel for Focal Press, and it began a relationship with Focal books that has continued to this day. All in One I think was cleverly conceived and simply illustrated. It went through many revisions, but how it explained Aperture, Shutter and Light, and reciprocity was light-years ahead of the also-ran info I stumble across on the internet all the time.

So armed with these venerable tour guides my journey began.

After I’d borrowed the Emmanuel book for about the third time, a kindly librarian noted my interest and said, “Would you like to look in the Adult section and see if there is anything that might help.” Isn’t it funny how some simple things just happen.

So every so gingerly and reverently I crept into the adult section, by then I even knew the right catalogue number 771.

I skimmed through a large folio book. It was something like, “Great Photographers”, and had names I had never heard of, Weston, Adams, Karsh, Minor White, David Duncan Douglas, and W. Eugene Smith. (I’d never heard of Eugene as a name so that was fascinating to begin with— and I was seriously impressed by someone who would put their first name Initial.  I had a lot to learn as a country kid).

The book had several Smith pictures, one of which was Albert Schweitzer in clinic in Africa. Here is a link http://www.alteredimagesbdc.org/eugene-smith-albert-schweitzer/

And I knew what I wanted to do. I wanted to take my camera to Africa and photograph Schweitzer. This time I knew, but I didn’t know what I needed to know.
So I borrowed the book and learned why the Masters work had such power to move our minds.

And I sat each night in the laundry making contract prints of the flowers in the garden, my family, and off course the legendary Blackie. Reading my precious Young Photographer, learning how to make great quality prints and dreaming.
A long way from Africa, but I could dream dreams.

Cumberland Homestead ruins Gum and Aloe Vera
28mm with a Polarising Screen.