We all did it.
Every budding beginner photographer gets excited about a subject, then, struggles with the technicalites of making the image.
In dayhs of yore, we’d take the camera out of the box, and pour over the instruction book, looking for that gem that would help make a correct exposure. These days the first thing to do is Google for a vid by an outspoken ‘expert’ opinion (OEO) on the right way to set the camera up, how to rotate all the dials and what settings are best. And don’t we all want to use Manual Exposure and have beautiful bokeh.
The thing I find with the outspokenexpert is that rarely do we get to see any of their work, not the stuff they shoot for some test or other, but real work—but that is an aside.
Then we ponder what is the best way to determine the exposure. Spot? Centre-weight? Overall? Matrix? Does it make a difference? Now it’s my outspoken-expert-opinion (OEO) that the camera manufacturer wants you to be able to get good exposures. Not too dark, not too light, the Goldilocks effect. After all it’s to their advantage for you to tell everybody, “Oh my LTZ7132ii is getting great exposures every time”, in the hope others too will rush out to buy the LTZ7133iii update.
Then, we wrestle with light. At first we just thought, oh, well, there is light. Enough, or not enough. But tricky stuff that it is, and so essential to our craft, it comes from in front, above, behind, to the left or right, below or even subdued and filtered through, and sometimes it hides behind grey porridge clouds. Tai Chi it is said has 13 movements. Lighting near matches that.
Then there is the lens and all that silly aperture stuff: f/2.8, 4, 5.6 Why not 1, 2 3, or small medium and large?
So what is the right exposure? And so we resort to more vids and OEO, all the time wondering why our photos, are not…just so.
Like all training: football, tennis, piano or Tai Chi, the magic slowly begins to show through.
Exposure: Not correct, not under or over.
From the Heart.