Report from the Field: Many Years Ago.

I’ve hummed and hahhed about posting this. This blog does not do product reports or endorsements. I figure there are enough and more of those already.

So what follows is simply where I am in my journey of post processing software investigations.

Also if your  a “Bokeh” fanatic, believing that the world does not begin until f/1.8, then click away now, as there is nothing here for you.

For the record, I have a fairly large investment in software by NIk. I purchased stand alones of their Noise and Sharpening products years ago. And I’ve updated them regularly. They are my main go to until recently.

I’ve also been a fan of a number of the Topaz add ons (plugins) for Photoshop. I’m not too much of a preset sort of person, so my Topaz products have been mostly image enhancement.
Recently got a ‘free’ upgrade to the latest Topaz Studio product.(more of that some other time over a glass of chaddy I think).  And because of that, looked at their AI Sharpen. (AI in that name meaning ‘Artificial Intellegence’, but that would be marketing hype.
Anyway to cut to the chase, I am quite impressed by the results.
But, and I stress but.  This is not a recommendation to rush out and buy, to download, or to use.  Its simply what I’ve found works for me.
Just in case someone asks, here is their site. Topaz Labs

Which leads me to the point of the post late mid-week.
Many years ago.

In 1976, a magazine, Photo Techniques was launched, and it co-incided with what was to be a major change in career direction for me. Mike Johnson was the editor, and one of the main writers was a character named Ctein. (Let’s get it right: pronounced, ku-tine as in fine)
He wrote all sorts of articles on getting the best possible quality from photochemical prints. He knowlege was legendary, his practical hands-on experience was at the time without peer. If Ctein said it, it was right.
As the digital age took off all around us and ‘Giclee’ prints became the selling point, Ctein lead us all to “Yellow Brick Road” leading to print perfection. And without a loyal dog Toto to be seen.

Eventually- many years later, the magazine folded, but Mike Johnson now runs a web page called The Online Photographer TOP
See page here.
Or direct to the blog here

His biting humour and keen eye now graces an almost daily dose of Mike. Ctein continued to publish on Mikes TOP

I’d been busy of late and hadn’t checked, but when I looked today I found an article by Ctein, published back in September, 23 to be precise.
Topaz AI Sharpen.

Here tis.
Even if you don’t have/want/use/dislike/hate with a passion/or are ambivilant if you want a reasonably argued case for the way digital image processing is going to progress in the future, its a good starting point.
Also interesting to see the tangents and other discussion about ‘sharpness’ that have kicked off on TOP because of the article.  You’ve still got it Ctein. 🙂

And just for completion, here is a comparison pair

On the left is the original NEF image. On the right the result of running it through Topaz AI Sharpen. Showing at 200% in Lightroom

For the technically ept.  Nikon D500, 500mm f/5.6 PF and a TC 1.4 Converter. NEF processed by Adobe Camera Raw
Nuff Said.